By Josiah Omotosho
Jazz bassist Carlos Henriquez returned to the Lehman Center for his first performance in the Bronx in 16 years September 12. But just so you know: “I never left, for those who asked.” These were Henriquez’ words before launching into a performance with the help of the Jazz at Lincoln Center Orchestra that defied rigid characterization. An eclectic merge of Afro-Cuban, Boricua and jazz, Henriquez’s pieces, proved a unique experience to some, many of whom were not there to see Henriquez in the first place.
Take Newton Salmon, for instance, a student at Lehman College, and a long-time jazz fan. “I took an Intro to Jazz class at my old college and I was familiar with Marsalis’ work,” he said. “I heard he was here, so I wanted to check him out.”
By “Marsalis” he meant the Lincoln Center Orchestra’s artistic director and Wynton Marsalis, a celebrated jazz trumpeter and composer. It was his name, it seems, that drew much of the younger attendees of the event, many of whom had a very clear idea of what they expected from the experience, and came out surprised and a little intrigued.
“It was different,” said Charles W., a Lehman student studying finance. “Marsalis was the one that drew me here, but this was not the usual jazz. It was more up-tempo, more Latin-infused. That was my first time experiencing that.”
Playing both original arrangements from his new album The Bronx Pyramid as well as old classics — the oldest piece dated back to the 1920s — Henriquez’s performance was a very personal one. The bassist used the short breaks between arrangements to share anecdotes, tell jokes and acknowledge far-reaching influences in his musical life. His friend and frequent collaborator Frankie Vasquez provided vocals for more than a few of the arrangements. Three of them (“Joshua’s Dream,” “Kiko’s Vibe” and “Slick Al”) were written for his three sons Joshua, Carlos – ‘Kiko’ – and Alex. His wife of 15 years, Sara, received some heartfelt praise from the bassist, as did his father.
Mitchell Ortga | October 23, 2015
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El se merece esto y mucho mas por su dedicatoria a Bajo muy poca personas harian LA trayectoria que hizo st.Carlos ,de.Salsa all Jazz y con los bravos .in gran fellow musicians y amigo..Pedro major Padre del familia . proud to have a work whit you. But that CD is the ONE, saludos a lo Puertorican froom California in the pocket…